HOSEN HABEN RÖCKE AN. Die Künstlerinnengruppe Erfurt 1984-1994 @ nGbK Berlin | 27 Nov 21 — 30 Jan 22 OPENING: Nov 26, 2021

Curated by: Susanne Altmann,  Kata Krasznahorkai, Christin Müller, Franziska Schmidt, Sonia Voss,

HHRA_gifThe nGbK Berlin will present the exhibition HOSEN HABEN RÖCKE AN – Die Künstlerinnengruppe Erfurt 1984-1994 on a radical GDR women’s collective presented for the first time for a wider audience with unique archive material.

The Erfurt Women Artists’ Group (1984–1994): Monika Andres, Claudia Morca Bogenhardt, Tely Büchner, Elke Carl, Monique Förster, Gabriele Göbel, Ina Heyner, Angelika Hummel, Verena Kyselka, Bettina Neumann, Ingrid Plöttner, Marlies Schmidt, Gabriele Stötzer, Harriet Wollert and others. 

As a group, we felt brash and special. We enjoyed being not as boring as the whole East – recalls Gabriele Stötzer about the Erfurt Women Artists’ Group.

For the first time and comprehensively, the exhibition »Hosen haben Röcke an« (Engl.: Pants Wearing Skirts) presents original materials and costumes from the archives of the actors of the Women Artists’ Group calling themselves Künstlerinnengruppe Erfurt.
Founded in 1984 by Gabriele Stötzer, the Women Artists’ Group pursued a radically creative lifestyle in contrast to the everyday routines of the GDR for ten years. New and unheard-of for East German standards, they positioned themselves decisively as a subversive collective using the means of art to create spaces for themselves that otherwise hardly existed within East German conditions. Their Super 8 films, photographs, performances, fashion object shows, manifestos, and sound experiments celebrate female self-empowerment, gender justice, artistic freedom as a universal human right, and radical social criticism. Even today, the solidary, creative and politically fearless artistic realization of their ideas, fears and desires is highly topical.

Characteristic for these Erfurt women was their refusal to leave the GDR – although at that time many actors from the cultural sector left for the Federal Republic of Germany due to the political repression of their artistic and personal freedom. But the ›genius loci Erfurt‹, especially its medieval history, offered creative and spiritual impulses to the Women Artist’s Group. Within this framework, the Protestant church in Thuringia, offered shelter for the subculture, including peace activism and punk movement and also provided the Women Artists’ Group with further spaces for development. In this particular environment, the women artists played an outstanding pioneering role in terms of awareness of female identity, corporeality, and criticism of gender-based stereotypes.
These themes are particularly reflected in five experimental Super 8 films authored by the Women Artists’ Group, which also form the basic structure of the exhibition. In the films made from 1986 onwards and the subsequent live performances with literary and musical elements, the focus is on self-created and provocative costumes as ›alter egos‹ of the artists. Numerous models are presented in the exhibition, for the first time together with objects, photographs, archival material, and sound recordings from the artists’ previously unresearched personal collections.

The Künstlerinnengruppe Erfurt remained active with personnel changes until 1994. On December 4, 1989, in a historic act of rebellion, five women, three of them protagonists of the artists’ group, initiated the first occupation of a headqarter of the Stasi (the East German Secret Service) in the GDR. Such strategies of transcending art and the successful founding of the self-administered Kunsthaus Erfurt, which still functions today, mark the uniqueness this Women Artists’ Group.

This exhibition is the first to study in depth the archival material and present the work of the Erfurt Women Artists’ Group. Starting with five key films, we will familiarize viewers with the idiosyncratic iconography of the group, their experiments and sources of inspiration, as well as the personal contributions of each participant. Photographic, sonic and textual elements, as well as a selection of original performance costumes will complete an unconventional spatial choreography.

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